CC.013–14.L.2 | Enter the Villain

And here comes two! I didn’t actually write this section in November, but it looks like it was the first I tackled in December (the whole two months kind of flew by in a blur). This is not my first time writing Vilnius, however, it’s my first time getting inside his head. I may have mentioned during that first section (it was while the party raged on) that I was quite proud of my characterization of Vilnius when he tried to convert Charlotte. In this section, I smiled at a handful of Vilnius moments, but as James pointed out (either in a note, or perhaps over Skype) my first go round the bend was best so far. There’s a lot of work to be done still here, but I’m quite okay with it. I feel like, by testing Vilnius’ back and forths, I probably learned more than if I had just “got it”. And the guy managed to surprise me: he’s super clever, but he ain’t no Xanatos. He’s got plans, but he doesn’t see it all coming. What he does know, however, is how to roll with it…

Continue reading “CC.013–14.L.2 | Enter the Villain”

CC.001–3.L.2 | We begin… (feat. a BONUS Experience)

So…it’s been awhile. This section was actually written months ago, but through the end of one Gregorian calendar year into a huge life decision, I’m only getting it up now. I wrote this all during NaNoWriMo, so if you’ve read my reflection article you’ve already heard me talk about my experience during the month, and now here’s a taste of the stuff I created (I have a second section to be posted as well, which will go live in one week).  Continue reading “CC.001–3.L.2 | We begin… (feat. a BONUS Experience)”

CC.004–5.L.2 | The Charismatic Augusto—Love Him Before He’s Gone!

This was one of the sections I wrote, in its entirety, during my PLAY 002: NaNoWriMo 2016. It came—surprisingly fast. Just flew right out of me. Forcing myself to write 1667 words (minimum) a day definitely helped, but it was interesting to compare my speed at completing sections before, and then during, NaNoWriMo. Continue reading “CC.004–5.L.2 | The Charismatic Augusto—Love Him Before He’s Gone!”

CC.030–32.L.2 | Rise of the Undead Fisherman

“How does one get onto a boat!?”
“You step onto it.”
“F%^& you, James…”

In this section, I was tasked with getting our heroes into the City, but instead of a secret passage as we originally conceived, we decided getting in by boat was a better idea.

We were wrong.  Continue reading “CC.030–32.L.2 | Rise of the Undead Fisherman”

CC.010–012.L.2 | Chaos at the Summit

I think, so far, this is my favourite Lucinda memory (the one at the end of this section). Moments like that are why I want to be a writer. Oh, the big set pieces, those are great, action and adventure and what not, but the image in my head of Charlotte sitting on the ground, remembering Lucinda and whispering along to her childhood self—those “small” moments mean so much more to me. Everything else is just context to make those, so it’s really exciting to have one in this section and feel like I pulled it off.

As you’ll see in the notes, we had conversations about the concept of “chaos” as it pertains to what’s going on here. I started writing with one idea in mind, and never felt quite comfortable with it (i.e. I didn’t quite capture what I was going for properly); James, on the other hand, had a different image of chaos entirely. In rewrites we’ll find something in-between, and that’s the place Charlotte will run through in search of a symbol. Continue reading “CC.010–012.L.2 | Chaos at the Summit”

CC.029.L.2 | Blue Steals A Pie

This was my first attempt at writing in Blue’s voice, and if I do say so myself, I think I completely missed the target (so completely I hit the bulls-eye three targets over). It’s also the first time I’ve ever tried to write a character that someone else first established. It was an interesting experience, and one that showed me I need a better process to internalize an external voice. After talking with James about it, I realized I needed to go back through the sections he wrote, paying close attention to Blue’s voice, to learn the nuances of it and how he speaks.

This whole section was intended mostly as a gag, i.e. Blue steals a pie, but as per my style, that wasn’t enough for me. I needed a deeper purpose, so that’s why I found Charlotte dealing with an internal struggle about she and her companions acting like thieves. We’ll see if it remains in the final cut, but it showed me something more about my writing process and need. Continue reading “CC.029.L.2 | Blue Steals A Pie”

CC.019.J.2 | A Vile View of Vilnius: Round Two

This is our alliterative second look into the mind of our aptly-named villain. By this point, Vilnius sees an unexpected flaw in his plan (Charlotte’s escape), and begins taking increasingly villainous actions in order to stop her. This early in the story, it’s just setting Sandy Lane on our heroes, but Vilnius’ actions will get more intense when we revisit him in later sections. “A Vile View of Vilnius” was difficult and generated so much discussion between Luke and I that I wrote an entire article devoted to it. It’ll tell you why I didn’t quite get Vilnius right, despite some really killer lines from our villain in this section. The comments in this section are particularly enlightening, and show a map of a developing conversation that eventually landed us at the conclusions covered in the linked article.

Continue reading “CC.019.J.2 | A Vile View of Vilnius: Round Two”

CC.021.J.2 | Sandy Lane vs. Team Good Guys: Round 1

This sections marks an important transition for our characters. Charlotte and Raul must climb the wall of the river valley and in so doing move from Raul’s world into Charlotte’s. It is a turning point in the narrative, so naturally, we wanted to bring a villain in. Sandy Lane has the kind of martial ability that Charlotte and Raul lack, which means we needed Blue as a foil (spoiler alert, I guess). Sandy proved the regular challenge—a character with no gendered pronouns(and no obvious gender neutral ones, either!) I think Blue really shines here—I feel very comfortable writing his character and I think he’s a lot of fun. Giving him some agency, demonstrating why he is a survivor, was a big change from his first appearance, but I feel it works and justifies his acceptance into the team dynamic. Continue reading “CC.021.J.2 | Sandy Lane vs. Team Good Guys: Round 1”

CC.008–009.L.2 | Lucinda Meets Magic

Writing this scene brought me head to head with the concept of “physical space”. When I started describing the tents that Charlotte was cutting through, I drew multiple maps trying to make it work (and in the end still didn’t quite get there). There’s definitely a Central Pillar post in there; James and I talked about the need to get away from the computer and physically move ourselves, just as our characters do. So fun times to come from that. Continue reading “CC.008–009.L.2 | Lucinda Meets Magic”

CC.007.L.2 | Charlotte & Raul at a party!

I really started having fun writing this section. Raul is, without a doubt, an absolute blast to write. I was proud of how the scene between Charlotte and Vilnius played out, too. Strangely (thought probably not that strange), I found I was completely off base with Charlotte. I misunderstood how she’d be feeling here, and only after a conversation with James did I start to see where I’d gone wrong (this is where Charlotte’s character sketch came in real handy to get back on track). She’s our main character—the narrative literally follows her around—so it makes sense I’d need more time to understand her since her presence fills so much. I’ll get there, though, and this is one step along the journey.
Continue reading “CC.007.L.2 | Charlotte & Raul at a party!”